Kristan Kennedy shared that selecting a favorite show is like "choosing children!" Reflecting on diverse installations and performances, she emphasized how it was a year filled with bright yet fragmented experiences, stating, "It was a blur swirled with extremely bright lights instead of a calendar punctuated by discrete events." Her insights captured the essence of a collective yearning for memorable art beyond just a list.
Kennedy expresses her struggle with the year’s artistic output: "choosing one is like choosing children!" She fondly recalls various notable works that resonated with her- from B. Wurtz's balanced drooping socks to audio installations that rearranged language, which created lasting impressions that shaped a "fragmentary year" of artistic exploration. This nonlinear experience of art was a significant theme among local curators.
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