Lane's intricate frames are not just protective borders but can serve as the artwork itself, providing commentary and expanding the limits of traditional picture frames.
Her collection at NUMU displays paintings alongside intricately carved basswood frames, creating a cohesive artistic experience where the frame is an integral part of the artwork.
The name of the exhibit, 'Not Enough Time to Love the World,' is inspired by Lane's painting of bubbles symbolizing climate change and mortality, with the frame representing depth and the passage of time.
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