Whether Ward is combining more than 300 baby buggies with flattened fire hoses or rolling a giant ball of tumbleweed made from the toecaps and laces of shoes onto slices of vinyl advertising hoardings, his assembled works confront complex social and political realities surrounding race, migration, democracy, and community.
Ralph was always interested in what I was doing in the studio, so it wasn't a conventional set design relationship but a bridging of the studio in dialogue with his ideas.
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