Jaeheon Lee's debut exhibition, Ghosts in the Garden, crafts a vivid psychological portrait of society grappling with its past and uncertain future through intricate oil paintings.
In his Three in One series, faces blur and merge atop elaborately dressed bodies, creating a ghostly interplay of identities that reflects a palpable sense of hollowness.
Lee's work draws from the dynamic tension between figuration and abstraction—a hallmark of 1960s Korean art—examining the struggle to preserve heritage amidst modernity.
Ghosts in the Garden invites viewers to reflect on their own relationships with tradition and modernity, challenging the collision between the past and present.
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