Scutt hoped to preserve the production's intimacy despite the auditorium's much larger capacity. 'I was insistent that we didn't change the size of the stage itself,' he says.
Coming out of the pandemic, Scutt aimed to celebrate the joy of being together and open new possibilities of theater-going. Design is about how the story meets the public, he emphasizes.
Scutt blurred the line between old and new by painting on top of existing shapes and patterns on the Wilson's walls. The central image of a gilded eye conveys danger, voyeurism, and bearing witness.
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