Hector Guimard, known for his iconic Metro station entrances and art nouveau buildings in early 1900s Paris, is receiving recognition through a new museum. His distinctive Metro designs, resembling dragonflies, initially faced criticism from Parisians and fell out of favor by 1913. Despite their decline, his work remains a significant part of the city's identity. Guimard's widow, Adeline, played a crucial role in preserving his legacy after his death in 1942, ensuring that his contributions to architecture and design would not be forgotten.
Hector Guimard created elaborate and monumental Metro entrances in early 1900s Paris, characterized by fans of iron and glass resembling unfurled insect wings, nicknamed dragonflies.
Despite being a symbol of the belle epoque Metro, Guimard's designs faced criticism from Parisians, who found them confusing and un-French, leading to their decline in popularity.
Guimard's widow, Adeline, worked diligently after his death in 1942 to preserve his legacy, which included around 50 residential buildings and numerous metro stations.
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