fondazione prada delves into pino pascali's creative universe in major exhibition

'Pascali explored the relationship of sculpture and stage props, and contrasted sculpture with functional objects. Works that looked from a distance like readymades revealed themselves close-up to be constructed from found materials.'

'He thought about what a 'fake' or 'feigned' sculpture could be, titled pieces as if they were solid masses, winking to his audiences who knew they were empty volumes.'

Read at designboom | architecture & design magazine