No novelist, perhaps, has done so much to widen the range of English fiction. The current, almost bewildering gusto of inquiry in contemporary English writing owes an enormous amount to the example of Possession.
Both are filled with art, predominantly by her contemporaries, libraries of extravagant, Borgesian range and curiosa of many kinds, hinting at her unusual fecundity of mind.
If English writing has stopped being a matter of small relationships and delicate social blunders, and has turned its attention to the larger questions of history, art, and the life of ideas, it is largely due to the generous example of Byatt's wide-ranging ambition.
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