Sofia Gubaidulina, the renowned composer who passed away at 93, began introducing religious themes into her music during the repressive Soviet era, particularly under Brezhnev. Her approach involved 'instrumental symbolism', which conveyed theological concepts through musical instrumentation. Works like Introitus and In Croce helped her gain prominence in underground Soviet culture, despite opposition from traditionalists. Post-Soviet Union, Gubaidulina continued to compose, moving to Germany where her faith-inspired music flourished, becoming increasingly eschatological in nature. Her contributions garnered international commissions, enhancing her legacy as a profound musical figure.
Sofia Gubaidulina's religious ideas in concert music challenged Brezhnev's Soviet era, reflecting her embrace of instrumental symbolism that drew on Eastern Orthodox imagery.
Despite initial irritation from the Composers' Union, Gubaidulina's music gained international acclaim, inspiring many through its deep spiritual and mystical themes.
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