Raymonda wants love and a career-SF Ballet gives her both
Briefly

The article critiques the traditional portrayal of ballet and presents Tamara Rojo's feminist reimagining of Raymonda at the San Francisco Ballet. This update moves the story of a 19th-century noblewoman into a modern context, where Raymonda's character gains agency and grapples with not only love but also her aspirations for a career in nursing. Unlike the original, which featured tragic elements and minimal autonomy for its heroine, Rojo's version aims to align more with contemporary gender politics, resulting in a narrative that still holds faithful to classic ballet tropes while introducing a more relatable main character.
"In reality, one heroine fumbles every life decision and ends up in a swamp. Others create an existential dread music video about AI that's directed by Daft Punk."
"Our OG heroine is a noblewoman from 1898 and has perfect posture, but minimal personal agency; She twirls for the affection of two men, one a war hero, the other a bad boy."
Read at Medium
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