San Francisco Ballet's presentation of Chroma reimagines dance, infusing it with modern elements inspired by the music of The White Stripes. Rather than conveying a storyline, it embraces a more abstract approach, pushing physical boundaries and blending the elegance of ballet with the energy of pop culture. The performance, including Sir Wayne McGregor's innovative choreography and vibrant elements of queerness, creates a joyful atmosphere. The dancers' chemistry and dynamic expressions invite the audience to appreciate the beauty of movement and music, ultimately redefining what ballet can embody today.
Chroma wasn't here to spin a tale. My heart said this was Bad Romance meets 2001: A Space Odyssey, embracing cold elegance and pop energy.
Chroma came packaged with Cool Britannia, where Sir Wayne McGregor's choreography stretched ballet's physical limits while riding the jagged rhythms of The White Stripes.
The joy was palpable, especially when Nikisha Fogo broke into a smile, making me feel compelled to join in the dance.
The chemistry among the dancers felt effortless and unapologetic, showcasing queerness and a vibrancy rarely seen at the War Memorial stage.
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