DANCÆ’s latest performance series, 'Körperfabrik', challenges traditional ballet by integrating immersive elements and site-responsive choreography. Premiered at Berlin's Kant-Garagen, a former garage, it critiques biopolitics through the lens of movement control and resistance. Featuring works by notable choreographers and a collaborative installation, 'Körperfabrik' interrogates how structures regulate movement, echoing Foucault's ideas. DANCÆ directors emphasize a multidisciplinary approach, aiming to create an experiential dialogue between the audience and the performance environment, moving beyond conventional theater frameworks.
The body can be controlled, but it is also a place of resistance and rebellion—this duality is central to our exploration in 'Körperfabrik' and connects to Foucault's ideas on biopolitics.
'Körperfabrik' challenges conventional staging and brings together choreography, installation, and gallery exhibitions to blur the lines between dance, architecture, and audience interaction.
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