"Dölberg's work borrows from the philosophy and aesthetic of socialist realism...but challenges the value and purpose of work with ambiguous compositions that depict figures with neutral expressions, arousing doubt rather than triumph."
"The show's opening piece, 'Kein Ende in Aussicht, es sei denn du hilfst'... packed with anonymous figures locked in repetitive, undefined physical tasks, evokes a sense of industrial monotony. The rigid poses give the illusion of honoring hard work, yet the emotionless face exposes the facade."
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