The article recounts a journey to a lavish party at the Getty residence, exploring the author's feelings of discomfort among the elite art world. The setting, a golf cart shaped like a Humvee, establishes a tone of absurdity and class disparity. As the author observes interactions and overhears conversations, particularly about the art landscape and notable figures, it captures the essence of Frieze week. Overall, the piece reflects on the disconnect between the art world and contemporary culture, revealing skepticism about the industry's relevance and authenticity during such events.
THOUGH OTHER PEOPLE walk, we're driven up to the Getty compound (the residence, this year, not the museum) in a golf cart shaped like a Humvee.
As she does, I slip away from Caine. I head straight for the plate of cigarettes arranged neatly at the center of the room, then to the bar for champagne, then to the patio.
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