The Ditchling Museum of Art and Craft has decided to withdraw three works by controversial artist Eric Gill from an upcoming exhibition titled "It Takes A Village" after consulting abuse survivors. The pieces, which depict Gill's nude daughters, were considered offensive and potentially distressing by the survivors' group. The museum's collaboration with the Methodist Survivors Advisory Group signifies a commitment to ensuring a sensitive and inclusive environment, especially given Gill's troubling history of abuse that became public in 1989. This decision illustrates the ongoing discourse surrounding the legacies of artists like Gill.
The decision to withdraw Gill's works was made in response to concerns from a group of abuse survivors who felt the art was offensive and could distress visitors.
The Ditchling museum's co-curation with abuse survivors represents a significant step towards addressing the impact of Gill's legacy in the art world and community.
Gill's controversial history, particularly documented in Fiona MacCarthy's biography, continues to influence how his works are perceived and displayed in contemporary settings.
By consulting with survivors, the Ditchling Museum aims to create an inclusive environment and encourage open discussions about the intersection of art and abuse.
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