
"At first glance, the chair presents itself as a modest, almost familiar object, a low-back saddle seat resting calmly atop what seems like a patch of grassy earth. But upon closer inspection, it becomes clear that every element is a constructed illusion. The "grass" is not real, but a latch-hooked rug of dyed and painted raffia fibers. Each strand mimics the play of sunlit blades swaying in a breeze, but they are fixed in place, forever frozen in mid-motion."
"The seat itself is modeled after pine wood, yet it transcends imitation. Cracks are hand-carved into the surface, each line a gesture of imperfection that makes the chair feel lived-in, almost sentient. The wood grain alternates between matte and satin varnishes, an effect invisible under soft light but revealed dramatically when illuminated directly. This shifting visibility turns the viewer into an active participant, requiring them to move around the piece, to discover it rather than merely observe."
The work extends a Wood Chair series into a tactile meditation on nature, artifice, and the human instinct to craft comfort from raw materials. Materials include oil paint, epoxy clay, plywood, wood, and dyed raffia fibers fashioned into a latch-hooked faux lawn. Hand-carved cracks and alternating matte and satin varnishes produce shifting visibility that rewards movement and close inspection. Sculpted bark layered with epoxy clay and oil paint clings to the seat edges, suggesting growth from the ground. The piece foregrounds illusion and touch, inviting slow, intent looking and experiential engagement.
Read at Yanko Design - Modern Industrial Design News
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