"The exhibition operates as a kind of encyclopedic junk pile, with hundreds of discarded visions of how technology might save—or estrange—us from ourselves."
"The first piece inside the galleries, a 1967 painting by the German artist Maina-Miriam Munsky, depicts a schematic outline of a cube struggling to contain a mass of dreamy flesh."
"The show continually wobbles between these two poles, rationalizing and controlling ourselves while being undermined by our excess and unreason."
The exhibition 'New Humans: Memories of the Future' showcases over seven hundred objects across three floors, examining humanity's relationship with technology. It features a mix of multimedia installations, including humanoid bodies made from scrap metal and various artistic expressions. The show aims to provoke thought about what it means to be human amidst technological advancements. It presents a chaotic yet insightful collection of works that reflect on the tension between human nature and technological influence, inviting viewers to contemplate their own existence in this evolving landscape.
Read at The New Yorker
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