This article explores the historical skepticism some modern artists held towards traditional art, particularly during times of societal upheaval like WWI. It discusses figures such as Andre Breton and Piet Mondrian, who questioned the relevance of art under the pressures of war and cultural elitism. They sought to integrate art into everyday life instead of keeping it confined to galleries. The current state of art risks becoming superficial, exemplified by the commercialization of once revolutionary styles into mass-produced kitsch, raising questions about the true purpose of artistic expression.
Many modern artists historically called for the end of traditional art forms, reflecting their disillusionment in a world marked by chaos and disconnect from culture.
The desire to abolish art wasn’t about eliminating creativity but aimed at integrating art into daily life and making it accessible to all.
In the aftermath of WWI, voices like Mayakovsky expressed skepticism towards art, viewing it as irrelevant in the face of societal upheaval.
Despite the modern resurgence of art fairs, the vision of artists like Mondrian has evolved into mere decorative kitsch, losing its original transformative intent.
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