The article highlights the transformative installations at Tate Modern, emphasizing the visionary approaches of artists like Louise Bourgeois, Anish Kapoor, and Olafur Eliasson. Frances Morris's vision for Tate Modern was to feature lesser-known artists and create significant encounters. The installation of Bourgeois's 'Maman', a giant spider sculpture, occurred during the venue's inaugural event, showcasing the urgency and creativity involved in its installation. Kapoor's 'Marsyas' highlighted intricate engineering challenges, while Eliasson aimed to connect with the British relationship with weather through his art. Together, these installations redefine visitor engagement with contemporary art.
Frances Morris, then head of displays Louise Bourgeois symbolised what I wanted Tate Modern to be: a place where you would have extraordinary encounters with artists who weren't in the canon.
It took a really big blowtorch to soften the fabric. The finished work filled virtually the whole hall.
When I was approached about doing something, I immediately thought about the relationship British people have with the weather.
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