"James Graham's new British drama Punch, which is being produced on Broadway by Manhattan Theatre Club following its London debut, begins like a thunderclap and ends in near silence. If the first act hits like a fist, the second act opens a hand. That transformation from kinetic, near-musical chaos to quiet moral reckoning is both the play's greatest risk and its defining feature."
"The first act, easily the play's most gripping stretch, unfolds with thrilling theatricality. Will Harrison, in an impressive Broadway debut, plays Jacob as a restless storm of adrenaline and bravado. Addressing the audience as if we're part of his support group, he relives the events of that fatal night through flashes of memories of friends, drugs, clubs, and chaos. The energy builds like a rave until the punch itself lands, suddenly freezing time."
Punch follows a young man whose single impulsive punch outside a Nottingham bar kills another man and shapes more than a decade of his life. The narrative moves from chaotic, near-musical adolescence filled with friends, drugs, clubs and bravado to a quieter, moral reckoning about guilt, forgiveness, and redemption. The initial act delivers kinetic, theatrical energy with ensemble movement, pulsing lighting and sound, and a performance by Will Harrison as an adrenaline-driven Jacob. The second act slows into contemplative silence, transforming spectacle into intimate examination of conscience and consequence.
Read at www.amny.com
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