
"Since launching its first project in 1968—a sculptural embossed silkscreen book by the multimedia artist Lucas Samaras—Pace Prints has worked with artists to expand the formal and technical possibilities of printmaking. In the ensuing decades, the publisher has supported projects by artists like Louise Nevelson and John Chamberlain that blur distinctions between print, collage, sculpture and painting, often emphasising scale and material experimentation."
"From the outset, Pace Prints has centred its production on relationships between artists and master printers, tracing its lineage back to Aldo Crommelynck, who printed Pablo Picasso's etchings and Henri Matisse's line drawings."
"The decision to expand west was driven by the growing concentration of artists based in Los Angeles rather than by market considerations. The space is intended to allow artists to work locally over extended periods, providing a venue to experiment and develop their practices, rather than traveling cross-country for short, intensive projects."
Pace Prints, founded in 1968, has established itself as a publisher dedicated to expanding printmaking's formal and technical possibilities through collaborations with artists like Louise Nevelson and John Chamberlain. The organization operates from New York City with a Manhattan workshop and Brooklyn papermaking facility. This autumn, Pace Prints opens its first location outside New York in Hollywood, featuring a fully equipped printmaking workshop combined with exhibition and programming space. The expansion responds to the concentration of artists in Los Angeles rather than market demand. The new facility enables artists to work locally over extended periods, facilitating experimentation and practice development without requiring cross-country travel for intensive projects.
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