"A hallmark of Kendrick's practice is his singular economy of materials and techniques. Wood specifically holds a powerful place in his work. Despite its unforgiving nature, the artist does not plan the final piece before beginning, instead working in dialogue with the material itself."
"Examples of these in the show include a series of intimately scaled pieces in Walnut Shelf (2026) or the monolithic Gemstone (2026) hint at the original, blank blocks they once were, underscoring each of the artist's interventions."
"Kendrick's unique chromatic vernacular is revealed. Rather than focus on hue as a sole or primary source of meaning, the colors he chooses complement the idiosyncratic shapes of his works."
"Inspired by stark contrasts of architecture like Gothic or medieval churches, they operate as forms of optical communication, one that is hierarchically even with the physical shape of the sculpture."
Mel Kendrick's artistic career began in the early 1970s, blending Minimalism with architectural elements. His latest exhibition, 'Mel Kendrick: Tilt,' features new and recent works alongside older pieces, showcasing a dynamic range. Kendrick's practice emphasizes a unique economy of materials, particularly wood, which he engages with directly, allowing for permanent errors that document his process. The exhibition includes pieces like Walnut Shelf and Gemstone, highlighting his exploration of color and form, inspired by architectural contrasts, creating a complementary dialogue between the works.
Read at Artnet News
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