In Grace Lee's latest exhibition 'Love and Theft', the artist explores themes of loss and control through small-scale paintings that blend personal histories with cultural iconography. Drawing from various sources such as books and film posters, she digitally compiles images to create recontextualized works that focus on suggestion rather than objectivity. The art evokes a sense of absence while challenging the definitions of archival practices in the digital age, questioning concepts of ownership, identity, and the interplay between public and private narratives.
Ultimately, Grace Lee's works call into question the very notion of objectivity in digital archival practices, exploring the boundaries of personal and collective narratives.
In the digital age, Lee's artwork balances between preservation and domination, questioning the complexities of ownership and identity in relational terms.
The exhibition showcases a fusion of personal histories and cultural iconography, revealing how digital collections can shift context and meaning through visual juxtaposition.
Leeâs works evoke a confessional tone, confronting the viewer with an exploration of absence and suggestion rather than purely defined objects and narratives.
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