Dance Review: JmeJames Antonick's XO-interstitium blends connection & oblivion * Oregon ArtsWatch
Briefly

XO-interstitium premiered July 18–27 at Performance Works Northwest as the first full-length presentation from Trash Babe Productions following a three-year collaboration between JmeJames Antonick and Patsy Morris with music by Geovanny Vega. The production opened with a DJ-lit stage, a shadowy figure manipulating a glowing orb behind white fabric, and a delicate electronica soundscape evoking a moist forest. As lights rose the fabric became opaque and two dancers emerged in hooded beige-and-black garments, moving through close, intentional handwork that evolved into strong rhythms, flashing blue lights, and grounded partnering. Movement shifted between meditative neutrality and increasingly aggressive, breath-driven contact, using fabric, rolling, sliding and seated floorwork to balance softness and force.
The evening began as the audience filled their seats, a DJ booth with glowing, orange lights visible in the darkness. A dark, shadowy figure appeared behind white fabric hung across the stage. As music created by the live DJ sounded, the figure moved a glowing orb. It played with depth of shadow until morphing into two distinct figures. The delicate electronica soundscape matched the dark whimsy of the scene, indicating a moist forest atmosphere.
As stage lights rose the fabric became opaque, and the dancers stood before the audience wearing black pants and beige-and-black tops with sleeves and hoods. They studied each other with intent glances, eyes downcast to focus on each other's hands before progressing to a kneeling position with their hands held out before them. As their fingers touched, the music exploded into a strong rhythm and the lights flashed to blue. The dancers put on their hoods and moved with slow stoicism, sliding, rolling, and pressing while maintaining their soft quality.
Read at Oregon ArtsWatch * Arts & Culture News
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