Christiana Ine-Kimba Boyle launched Gladwell Projects, a nomadic, single-staff gallery that stages the Domestic Interventions series of exhibitions in private homes. The Metroplex was presented in collector Christie Williams's Dallas home during the Dallas Art Fair and resulted in acquisitions by the Dallas Art Museum of works by Chiffon Thomas and Clifford Prince King. Gladwell Projects will open The Spirituality of Color on 3 October in a landmarked Harlem brownstone at 124 West 131st Street, featuring chromatic artists such as Sam Gillam and Kylie Manning. Ine-Kimba Boyle developed the concept after roles at Lehmann Maupin, Canada, Pace, Loretta Howard and an internship at Gagosian.
Amid the recent string of large and mid-sized gallery closures, could smaller, emerging galleries step into the power vacuum? "I 100% think they are the future," says Christiana Ine-Kimba Boyle, a New York-based dealer who has previously worked at galleries including Lehmann Maupin, Canada and Pace. "This whole idea of differentiating and categorising galleries-megas, mid-tier, small-is naturally disintegrating." This spring, Ine-Kimba Boyle launched Gladwell Projects, a nomadic gallery with a staff of one.
On 3 October, Gladwell Projects will unveil its second show, The Spirituality of Color, bringing works by chromatic innovators like Sam Gillam and Kylie Manning to a townhouse in Harlem. The gallery's first show, The Metroplex, was staged in the collector Christie Williams's Dallas home during the Dallas Art Fair last April. The Dallas Art Museum acquired a sculpture by Chiffon Thomas and a photograph by Clifford Prince King as a result.
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