"The exhibition uses Ovid's poem as a point of departure to track how artists across time have imagined Ovidian myths of creation, violent desire, and becoming."
"Plenty of these artworks are breathtaking in their own right, but it is in their juxtaposition that the show explores ideas of transformation, desire, and gender."
"The museum does hedge when it comes to our contemporary moment, proposing a 'neutral' politics that shields the institution from backlash over potentially controversial discourse surrounding sexual violence, queerness."
The Rijksmuseum's exhibition, inspired by Ovid's myths, features a diverse array of artworks that explore themes of transformation, desire, and gender. The centerpiece, Louis Finson's 'The Four Elements,' depicts chaotic creation with striking beauty. Curators have thoughtfully grouped various art forms to highlight these themes, creating a visually stunning experience. However, the exhibition maintains a neutral stance on contemporary issues, avoiding deeper engagement with potentially controversial topics like sexual violence and queer identity, which limits its exploration of these critical themes.
Read at Hyperallergic
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