David Salle, a prominent artist from the 1980s New York scene, is integrating AI into his creative process by training a model to emulate his style. His exhibition, Some Versions of Pastoral, features works that initially appear to be hand-painted but include digitally printed underpaintings created by AI. Salle's experimentation with AI began with the idea of a virtual game, leading him to collaborate with software engineers to refine a custom model. This fusion of technology and artistry challenges conventional notions of creativity and authorship in the art world.
David Salle embraces AI by training a model to imitate his style, proposing that AI can complement creativity rather than diminish it.
In Salle's exhibition, the sophisticated interplay of digital and traditional techniques raises questions about authorship and the future of art.
Collection
[
|
...
]