Charles Auguste's artistic practice emphasizes the relationship between body and space, aiming to disrupt fixed systems through interaction with urban objects. His project Bandes Passante involves unconventional stage design and prompts reflections on the influence of digital imagery on decision-making in contemporary society. The photobook City Archives documents spaces filled with often overlooked objects, highlighting the importance of active engagement with the environment. Auguste's influences range across cinematic and performative realms. He aspires to unify sound, body, and visual language through choreographic methods in future projects.
"The essence of my work lies in a co-creative relationship between the body and space, seeking to de-automate systems and places that are fixed in their primary function."
"The question arises: will he let go? Or is he so gripped by the endless stream of digital imagery that he remains suspended, unconscious, unable to make a conscious decision amid the advertising overload of our contemporary society?"
"It's these intersections that he is most interested in, pinning points into accessible dimensions; using his body as a bridge, a conduit of translation."
"My intention is to design a bridging device that unifies all these dimensions, bringing together sound, the body, and visual language through my choreographic approach."
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