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“I got quite good at Elvish at one point.” —Salman Rushdie https://t.co/xheizFiuyN

Books

The Paris Review
The Art of Fiction No. 186
No novelist, perhaps, has done so much to widen the range of English fiction.
The impression given by her houses is confirmed by her conversation, which moves confidently between literature, biology, the fine arts, and theoretical preoccupations and displays a mind turned always outwards.
If English writing has stopped being a matter of small relationships and delicate social blunders, and has turned its attention to the larger questions of history, art, and the life of ideas, it is largely due to the generous example of Byatt's wide-ranging ambition.
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