The Temerty Building is designed to replace a 1969 wing on the west side of the existing Medical Sciences Building, forming a gateway to Front Campus, the historic heart of the university.
The exhibition, entitled Forget Me Not: South Lebanon in Memory and Motion, took place earlier this month, as this largely rural part of the Levant became a front in the US and Israeli war against Iran.
Alejandra Ferrera emphasizes that the security-driven design, while functional at the time, has led to a fragmented urban experience where streets serve only as transit voids, lacking social engagement.
The documentary, created by Dr. Igea Troiani, Dr. Mamuna Iqbal, artist and researcher Paula Roush, and filmmaker Rime Tsujino, brings visibility to the experiences of six architects of South Asian origin.
Heritage is usually catalogued by what can be drawn, not by what changed temperature. In heat, buildings are learned first through skin, only later through sight. Generations learn, through their bodies, what works. Shade reduces glare and radiant heat. Air movement shifts perception by several degrees. Thick walls slow temperature swings.
Historically, architectural culture has been organized around narratives of singular authorship and individual recognition. These frameworks often obscure the collaborative nature of design and marginalize contributors who do not occupy positions of institutional authority. Women architects have long participated in shaping buildings, cities, and architectural discourse, yet their work has frequently been overlooked or attributed to partners, firms, or broader teams.
Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.
A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in Kolkata rises and vanishes within five days. Yet each draws pilgrimage, shapes collective memory, and reorganizes urban life. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.
Located on the southeastern edge of the University of Indonesia's Faculty of Economics and Business, AlIqtishad redefines the role of a campus Mushola, shifting from a discreet endpoint to a civic and spiritual threshold within the FEB UI Masterplan.
The primary volume is elevated above the site and supported by four inverted-cone white columns. These structural elements lift the building clear of the terrain, preserving visual and physical continuity at ground level and allowing grass, air, and movement to pass beneath the structure. The elevation creates a shaded patio below the main volume, extending the usable space of the villa while reinforcing its lightweight presence.
Across this week's broader architecture news landscape, a central theme emerges around the advancement of civic architecture conceived as open, publicly engaged infrastructure, with cultural and institutional projects increasingly designed to strengthen their relationship with the city and everyday urban life. At the same time, renewed global attention turns toward Africa, where large-scale transport infrastructure and the conservation of modernist landmarks reflect interests in the region and the reassessment of the continent's architectural heritage.