#votive-offerings

#votive-offerings

The momoztli altar measures about one meter square and consists of three sections: a base of andesite quarry stone, a second section of larger slabs, and a top section of river stones and basalt.

The ostraca show us an astonishing variety of everyday situations. We find tax lists, deliveries, short notes about everyday activities, religious texts, and priestly certificates attesting the quality of sacrificial animals.

Similar to four others unearthed nearby earlier this month, it is sitting upright at the bottom of a one-metre-wide pit. The skeleton's hands are resting in its lap. Like the others, its back is against the eastern wall, its face directed westward.

The two socketed axes were discovered last year by a metal detectorist who recognized that their careful positioning could not have been a natural process. He reported the find to the Westphalia-Lippe Regional Association (LWL). The subsequent excavation of the find site revealed a far more complex depositional context. Beneath the axes is a pit carved into the rock.

We are living through one of the most disorienting periods in recorded history. The AI race is accelerating toward ever faster, ever more sophisticated automation and optimization. Agentic AI systems are moving from research labs into workplaces, healthcare, and governance. Geopolitical tensions are restructuring alliances faster than institutions can adapt. And planetary systems are signaling, with increasing urgency, that our current trajectory is unsustainable. Amid all this, it is dangerously easy to lose sight of a foundational question: What are we actually optimizing for?

Part of the answer lies in the visceral nature of the game. Unlike chess, football is physical to the point of absurdity. Grown adults in body armor crash into each other over what is essentially a leather egg. There's drama in every play. You don't need a PhD in physics to appreciate a one-handed catch while somersaulting over a defender like a caffeinated acrobat.

Pottery made by people of the Halafian culture, who inhabited northern Mesopotamia between around 6200 and 5500 BC, is painted with flowers that have 4, 8, 16 or 32 petals, and some show arrangements of 64 flowers. These patterns show a clear understanding of symmetry and spatial division long before written numbers came into use around 3400 BC, argue scientists in a new study. The skill might have helped the Halafian people with tasks such as sharing harvests or dividing communal fields, the authors say.

as the gods were understood as the true monarchs and the king as simply their steward. In order to maintain his authority, the king needed to court the goodwill of the gods, and although they made their approval clear through military victories, bountiful harvests, and prosperous trade, events such as the Akitu festival provided an annual opportunity for the divine to continue its relationship with the ruling house or withdraw its favor.

His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.