#vaulted-roofs

#vaulted-roofs

La Roque-Gageac's cliffside setting has shaped its destiny both as a place of defence and a magnet for visitors across the centuries.

"[The project] has finally restored the perception of the monument's original size and floor level," architect Stefano Boeri said in a statement. "It also offers the public the opportunity to approach its walls and imagine the rhythm and sequence of the ambulatories and arches, now lost. It's a respectful and useful project that completes research carried out by the archaeologists of the Colosseum Archaeological Park."

A remote Donegal parish and its Gaeilgeoir priest became near household names last year when the nation awoke on Easter Monday to learn St Mary's Church in Derrybeg had burnt to the ground overnight.

Travelers often overlook tiny European countries, but, as I discovered on a recent trip to Luxembourg-Europe's seventh-smallest nation, with a population of just 699,000-there's much to discover in these hidden gems. Last summer, I visited my aunt, who has lived in Europe for over 20 years, with stints in Paris, Vienna, Zug, Switzerland, and now, Luxembourg. We spent three days touring the historic city nestled between Belgium, Germany, and France. It's built on a rocky plateau overlooking deep gorges, a sweeping canyon, and surrounding countryside.

Standing in the Bispebjerg district of Copenhagen, Grundtvigs Kirke, one of the most singular works of 20th-century ecclesiastical architecture, is the protagonist of David Altrath's latest photography series. Designed by Peder Vilhelm Jensen-Klint and completed in 1940, the church translates the vertical ambition of Gothic architecture into an austere expressionist language built entirely from yellow Danish brick. Structure, surface, and ornament collapse into a single architectural system, where material discipline replaces decoration.

In the UK and the US, it is often crystal clear when your new home is classified as a heritage home or period property, but in France it can be less obvious. You could be breaking the rules simply by installing new windows. So how can you check that your big plans aren't going to upset anyone - or worse, break the law?

The most recent final resting place for 91 members of the family is Berlin Cathedral's crypt, which opens to the public this weekend after a €29m, six-year renovation. Sonja Tubbesing, the cathedral official responsible, describes it as the church's biggest building project since its post-war reconstruction.

The building feels both austere and atmospheric, especially in the way light moves through the interior spaces and emphasizes the geometry of the structure. He's always seeking unique relationships between form, light, and atmosphere.

The transformation of the chapel of the Saint-Joseph convent in Saint-Félicien is founded on a guiding principle: designing with what already exists. The intervention seeks neither to erase nor to stage the heritage, but rather to offer a precise and measured reinterpretation of its architectural qualities in service of new cultural uses.

Ba-rro: "Our starting point is always the context and what already exists." We are interested in recognizing the value of things simply because they are there, without assuming that everything must be preserved as a matter of principle. The question isn't what can be kept, but what deserves to be kept in each specific project. The decision to preserve, reveal, or remove doesn't stem from universal values or a nostalgic impulse, but from a situated interpretation:

The most arresting is a dramatic circular void carved into the ceiling, a spatial echo of St Paul's dome, translated from the sacred to the everyday. Below it, a monolithic espresso counter holds the room together, its weight and material language borrowed from Tate Modern's industrial character and the infrastructural logic of the riverbanks themselves.

The slab, found in a York drain in the 19th century, has gone on display at a new exhibition marking the 800th anniversary of Saint William a forgotten, once adored martyr said to be responsible for that miracle and others. At the centre of the exhibition is a cutting-edge, digital recreation of an imposing shrine to William that once stood in York Minster's nave but was broken up and buried to protect it from the ravages of Henry VIII's reformation.

In this book of moons, I am writing for people for whom the medieval world and its literatures and arts may be unfamiliar. I hope that in telling the stories of medieval moons, I also introduce these readers to the wonderful, mesmerising realm of medieval texts and images. But I also hope that this book may be useful to those with greater familiarity with medieval languages, literatures, and arts.