The curators of Greater New York really captured the energy of the city well - not the out-of-towner's New York with its glossy surfaces, brands, and trendy fare, but the gritty New York that's always in the process of formation, that rejects surface in favor of rawness.
Pacha New York aims to serve as a meeting point where global electronic artists, local creatives, and next-generation audiences can converge, fostering a vibrant dance culture.
April O'Neil comes down out of City Hall as the ace reporter and then walks into the Hoyt-Schermerhorn station. That secret, that the Downtown Brooklyn station is subbing in for City Hall, is at the heart of an upcoming film series at BAM.
A distributor expressed regret, stating, 'I wish you would have called us a year ago...' indicating that early consultation could have led to a more marketable film. Producers often create films that, while well-crafted, do not align with distribution needs, resulting in missed opportunities.
Carter Shocket stated, 'They kind of felt like they happened and then they were over, like it wasn't a long-lasting kind of project. It was just a flash-in-the-pan kind of thing.'
Under her leadership, Jackson said, 'The most important thing is to make sure that Film Forum continues its mission.' This reflects her commitment to the organization and its role in independent cinema.
I knew he was a legendary director and he was giving me a list of his movies like Raging Bull, Taxi Driver. Then he was like, 'You probably can't watch any of those quite yet, but there is this one movie I directed called Hugo.' A couple days later, in the mail, I received a copy of Hugo on Blu-ray from his office, which is really crazy.
Love Story was based on Elizabeth Beller's book Once Upon a Time, which was helpful, but in a lot of ways Black Rabbit was more 'real' than Love Story because it was entirely fictional. I come from a research background so there's always a lot of research involved, whether it's photographs or books.
Many of these posters are the only surviving proof of certain shows, with no recordings of plays, and certain films, having been lost over time. They offer a history of Black Americans trying to counter harmful stereotypes and provide vital and humanizing contributions to a growing Black culture.
Hundreds of hipsters in Williamsburg, Brooklyn, are gearing up to watch a rented groundhog whisper in the ear of ex-mayoral candidate Curtis Sliwa in McCarren Park on Saturday to see whether they'll be getting six more weeks of winter. The loopy local twist ahead of Feb. 2, Groundhog Day's official date, is the brainchild of 26-year-old event organizer Riley Callanan - who shelled out $2,250 to rent the varmint from an animal rental service.
The Film Forum ranked third on the list with the outlet calling the theater "New York's premiere independent, nonprofit cinema." The Film Forum has been open for half a century and has four screens showcasing a mix of American indie premieres, foreign art films, genre works, directors' retrospectives and special programming.
The New York Comedy Film Festival has announced the full lineup for its inaugural edition, running February 15-22, with screenings and events taking place at venues including Asylum NYC and the Baruch College Performing Arts Center. Spanning a full week, the festival aims to showcase the range of comedic storytelling on screen, from broad laughs to darker, more experimental takes, across features, shorts, series and documentaries.
In many ways, David Greaves' inviting and historical documentary, " Once Upon a Time in Harlem," is the stuff of legend. A vital reclamation of a precious history, the film was born from a night in 1972, when his father, William Greaves, invited the living titans of the Harlem Renaissance to Duke Ellington's old flat for a four-hour party filled with fond memories, fierce debates, and copious alcohol.
The Sundance Film Festival concludes its 2026 edition this weekend, marking its final year in its iconic home of Park City, Utah, before moving on to its new host city in Boulder, Colorado next year. As we continue to look back at the hefty legacy of queer films that premiered there over the years, this week we'll revisit a landmark lesbian drama that put a beloved '80s icon back in the spotlight, and kickstarted the career of one of the most representative filmmakers of the New Queer Cinema wave.
He's a ubiquitous face, showing up regularly in all sorts of supporting parts (big ones as well as glorified cameos), but he so rarely gets the chance to carry a feature. In The Only Living Pickpocket in New York, which world premiered at Sundance and is now playing at the Berlin Film Festival, he does exactly that, holding our attention with those sad, watchful eyes and his lanky determination.