#tremaine-emory

#tremaine-emory

"Monograms let you know that the wearer has achieved a certain level of success; they can afford to [customize something] from a time and a financial perspective."

Sabahs are made entirely by hand from 100% leather in either Texas or Turkey—two regions with distinct yet deeply rooted relationships to the material. The result is a shoe that varies subtly from pair to pair, even within the same size.

Croud helps brands unlock growth with a Return on Intelligence, applying innovative intelligence across brand strategy, integrated media, social, creative, and data. This approach emphasizes transparency, speed, and incrementality-focused measurement to fuel growth and unlock true value.

Clare Vivier and Heather Taylor have perfected the art of hosting by dividing responsibilities, with Vivier focusing on wine and Taylor on flowers and dessert. Their friendship of 20 years has led to a seamless collaboration that enhances the dinner party experience.

Brittany Antoinette Wilson's dad has been a collector for over 30 years, starting with comics and expanding to baseball caps and sneakers. His sneaker collection, now around 500 pairs, reflects his passion for fashion and appearance.

Participating in London Fashion Week is not a luxury but a necessity for any emerging brand aiming to go global. It's your ticket to the world of international fashion. - Katie England, Creative Director of Topshop and curator of the New Generation program

Washi, because of its quality and texture, offers something not just tactile but psychologically soothing. It's about one-third the weight of cotton, light, breathable and dry to the touch.

To put that into context, Instagram and industry average engagement rates are two percent to four percent, so the fact that this was 18 is phenomenal. From a brand perspective, Megan is a true archetype. She built her career on being bold, confident and self-made. She's doubling down on a partnership that's already proven it can move the needle with Gen Z, and turn into cultural heat, which drives new customer acquisition and brand loyalty.

Emily Porter found a woven sweater labeled 'Maria Rodriguez Chicago' at a resale shop, highlighting the significance of local designers in Chicago's fashion history.

"They're everyday professionals who simply don't have the time to shop the traditional way," said Kneen about J. Hilburn customers. Instead, stylists manage fit, fabrics and wardrobe planning, effectively outsourcing the entire process for busy professionals.

Beneath a dome that once watched over the French Communist Party's debates in the 1970s, a large self-illuminating dinner table is prepared. Its oval shape stands in the middle of a room noisy with conversation and Object Blue's elegant, beat-driven dinner soundtrack. Guests like Gabbriette, Cruz Beckham, Paloma Elsesser, Damson Idris, ASAP Nast and Pusha T gather under a DayGlo hanging light box. The setting looks, not at all accidentally, like Kubrick's vision of a war room in Dr. Strangelove. And it is a party.

CFGNY is having a big spring. The self-proclaimed 'vaguely Asian' art and fashion collective is in a group exhibition about the production and representation of Asian fashion at Pioneer Works, transforming the third floor into a cardboard-lined shipping container filled with studio portraits shot in Ho Chi Minh City, Vietnam, a growing fashion hub.

"Nostalgia is my favorite feeling," said Madison Feely '26, who referenced childhood classics including "Where the Wild Things Are" and "Little Women" in her collection, "Homebody." She emphasized that her designs celebrate a well-lived childhood, honoring the authors and illustrators who allow her to relive it each time she opens their books.

What if I took my design lens and built out my essentials capsule for the Everlane customer? I felt like that would be a really amazing opportunity for me to introduce myself as a designer to an audience outside of EB Denim.

While the silhouette might be ubiquitous, this collab is singular to Thom Browne. Released in three distinctive colorways - a stealthy black and tonal grey suede, along with a glossy white leather version that drops later in March - the freshly reworked sneaker is instantly reminiscent of Browne's signature stylings, complete with a university stripe grosgrain pattern across the lace catcher, heel tab and insole insert, and designed with luxury materials and cross-stitch finishing that fit right in with the brand's renowned tailoring.

It's an interesting connection between that table and these clothes, because Marc Jacobs has been in Wonderland for a few seasons, making garments swollen with great buboes of fabric and wadding that distended and deformed the body, like majestic mutants. They were wondrously otherworldly, outscale and, to most people, unwearable. Intentionally so. This collection, by contrast, brought Jacobs literally down to earth, taking his models off teetering platforms and into plain old high heels.

Last week, Berlin-based sustainable customisation brand L.A.M.E.official made a splash at Berlin Fashion Week with the unveiling of their latest collection. As part of the launch of their online shop, the show captivated audiences by celebrating collaboration, movement, and self-expression. Featuring dynamic dance performances and individually styled looks co-created with each model, the event showcased the brand's commitment to inclusivity and creativity.

That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.

There wasn't kidswear in this show, but for Vevers his other two, slightly older children played a pivotal role. The wonderment of his five-year-old kids watching The Wizard of Oz for the first time was a trigger for this show - most evident in outfits switching from sepia-dulled monochrome to chromatic brights. Example? Beaten-up black denim shorts, an inky cotton shirt and grey tie, followed by its mirror opposite in - fittingly - red, white and blue jeans.

Teyana Taylor showcased the maximalist layering technique of piling unexpected pieces atop one another, as seen on the runways of Thom Browne and Loewe. Completely decked out in Hermès, the Straw actor wore a collared oat jacket with long, billowy sleeves, left completely open for a skin-baring twist. It was styled with a printed scarf that looped around the collar, evoking a makeshift vest.

Everybody thought I would make oversized bomber jackets with monograms, said the mononymous king-of-the-hoodie designer after the show. That's what ChatGPT said, apparently. But that's not why I came to Gucci. Instead, he said, his Gucci will be energy, passion, fun and sex.