#traditional-instruments

#traditional-instruments

Pianist Dr. Gabriela Calderón and violinist Dr. Catalina Barraza celebrate the rich musical heritage of Latin America.

Oumy is a leading figure in contemporary Senegalese music. Her style, which blends hip-hop, African R&B and global pop, makes her one of the most exciting artists on the country's urban scene. Beyond her music career, she has also been involved in social projects within her community, participating in cultural festivals and campaigns related to the environment and equality.

I woke up in hospital. I had fourth-degree burns down my right arm, all the way to the bone marrow. After four weeks in the burns unit, doctors gave me a choice: spend years attempting to save the arm, or amputate and leave hospital within a week. I chose amputation. It was the right decision but it was still devastating.

We both live in maybe the most impractical place if you want to be a successful DJ, laughs Alice Marie Jektevik, one half of Article 3, a Sami female DJ collective. Jektevik, 36, and her collaborator, Petra Laiti, 30, reside in a rural village in the far north-east of Norway. But living in Sapmi the region across northern parts of Sweden, Norway, Finland and Russia traditionally lived in by Sami people has proven to be central to their success, providing the inspiration for much of their work.

"You can really push yourself to the limit, and there's a correlation between muscle power and the sound produced," he said. Matzke's appreciation for the accordion began in his childhood. Now, he serves as one of the ambassadors for the instrument of the year in 2026. "The accordion sparks the imagination. Sometimes it sounds like an orchestra with wind instruments, but you can also cover pop songs wonderfully," he told DW.

In early January, at the Shrine Auditorium in Los Angeles, a concert benefit for Palestine and Sudan conjured all the fury of an acoustic night at the local coffee shop. Musicians played stripped-down songs on a stage decorated with rugs, floor lamps, and couches. Members of the audience, mostly 20-somethings and teens, leaned in and filmed intimate performances by their favorite cult artists.

I noticed the swelling of the double bass first, quickly followed by the fluttering of brushed cymbals. A saxophone pushing against the edges of a melody swiftly married the notes together, chords drifting haphazardly before reaching a slow, pulsing groove. The jazz quartet performed in front of a liquor cabinet lined with whisky bottles; low-hanging lights teetered overhead, throwing shapes on the monochromatic marble-tiled floor. Outside, a leafy veranda was filled with diners, the music drifting through flung-open doors and windows.