Queer East Festival has announced its 2026 line-up, featuring a diverse array of films that explore the vibrant and often overlooked queer culture of East and Southeast Asia.
April O'Neil comes down out of City Hall as the ace reporter and then walks into the Hoyt-Schermerhorn station. That secret, that the Downtown Brooklyn station is subbing in for City Hall, is at the heart of an upcoming film series at BAM.
A time jump resets this show's character dynamics with Rue (Zendaya) working off her debt to a drug dealer and seemingly nearly all the series' other female characters engaged in sex work of some kind. Sam Levinson's vision of a woman's life is pretty depressing.
Under her leadership, Jackson said, 'The most important thing is to make sure that Film Forum continues its mission.' This reflects her commitment to the organization and its role in independent cinema.
Faces of Death follows a pathologist trying to understand what happens when we die, subjecting himself and the viewer to a series of 'snuff' films depicting violent deaths.
When it's a nominee... it just feels like this big important moment and I just really want to honor it. They'll be photographed usually more than some others and then I do imagine what it would end up looking... with an award.
From its opening scene-a shakedown of Armando Solimões (Wagner Moura) by local authorities at a rural gas station-Kleber Mendonça Filho immerses viewers in a world of casual corruption and clandestine violence endemic to authoritarian rule.
South by Southwest is not the only annual genre fest out there by any means, but its equal focus on film, music, and tech makes it nearly unmissable for many a genre fan. The Austin-set fest has almost too much to offer, however you slice it: Building one's schedule feels like a perpetual exercise in killing your darlings.
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging. At such a critical moment in US history, we need reporters on the ground.