#thatch-mud-composite

#thatch-mud-composite

Offsite construction has delivered measurable environmental gains, with a peer-reviewed study showing an average reduction of 78.8% in construction waste compared to conventional methods. Under controlled factory conditions, reductions can reach up to 90%, highlighting significant improvements in sustainability.

Bergs Potter takes the cake for me, closely followed by the majolica-like planters at Williams-Sonoma and a few stylish designs from Ferm Living and Pottery Barn. These planters lean home decor over plastic planters, making them weather-resistant, durable pieces even on a wind-whipped balcony or hurricane-sacked home garden.

The pavilion is recognized as the first building in Mexico constructed using cross-laminated timber (CLT). This system replaces conventional concrete and steel structures with mass timber, reducing the carbon footprint of the construction process. CLT panels are composed of layered wood elements arranged in alternating directions, creating structural stability while enabling prefabrication and efficient assembly.

The Dormis Donata form the connecting axis of KUSKA, a rural complex located at 3,100 meters above sea level in the agricultural landscape of the Sacred Valley of the Incas. Nestled between mountains and terraces, they offer a context in which architecture engages in dialogue with memory, topography, and the cyclical rhythms of the environment.

Photovoltaic (PV) solar energy represents a modular technology that can be manufactured in large-scale facilities, generating economies of scale, while also being adaptable to small-scale applications. From residential rooftop systems to large-scale power generation installations, photovoltaic solar energy has established itself as a cost-effective option for electricity production in many countries around the world.

This corn-based construction material was made by Manufactura, a Mexican sustainable materials company, and it imagines a second life for waste from the most widely produced grain in the world. The project started as an invitation by chef Jorge Armando, the founder of catering brand Taco Kween Berlin, to find ways he could reintegrate waste generated by his taqueria into architecture. A team led by designer Dinorah Schulte created corncretl during a residency last year in Massa Lombarda, Italy.

The design by 1Y Architects approaches this silence as material rather than absence. Instead of clearing the debris scattered across the site, the team gathered bricks, concrete fragments, and broken tiles from former factory buildings. These remnants form the structural fabric of the sound museum itself.

Researchers at the Norwegian University of Science and Technology and the University of Tokyo have made a prototype of botanical cement made of desert sand and plant-based additives in hopes that it can be used to build houses and roads. Once mixed, the team adds tiny pieces of wood together and presses them all with heat to produce the cement.

Residential architecture remains one of the most active fields for unbuilt architectural exploration, offering a lens through which architects rethink how domestic space can respond to landscape, climate, and contemporary patterns of living. In this Unbuilt edition, submitted by the ArchDaily community, the selected proposals bring together a range of residential projects that engage with houses, villas, and retreats as sites of withdrawal, mediation, and everyday inhabitation.

Thermal modification is not a new invention, but its relevance has increased as expectations around performance, sustainability, and predictability have tightened. Developers, architects, and contractors are no longer just asking whether timber looks good or performs well initially. They want to know how it behaves after ten, twenty, or thirty years, and how much risk it introduces into a project once the scaffolding is gone.

One of the earliest large-scale examples of composite materials can be found in the Great Wall of China, where stone, clay bricks, and organic fibers such as reeds and willow branches were blended to create a resilient and lasting structure. These early techniques reveal a timeless intuition: distinct materials, when combined thoughtfully, produce properties unattainable by any single element.

Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.

When you think about building a house, what materials come to mind? Brick, wood and metal all come to mind; there are also some very distinctive glass houses out there. (Even if their occupants should refrain from throwing stones - though honestly, that's a good tip for indoor living in general.) A group of MIT researchers have come up with a very different way of making buildings, and it's one that also addresses an ongoing waste issue."We've estimated that the world needs about 1 billion new homes by 2050. If we try to make that many homes using wood, we would need to clear-cut the equivalent of the Amazon rainforest three times over," explained AJ Perez, who conducts his research in the MIT Office of Innovation. The title of a paper written by Perez and his colleagues - "Design, Manufacture and Testing of Structural Trusses Using Additively Manufactured Polymer Composites" - gives a sense of the solution that they have in mind.

What began as a modest brief for a young and growing family soon evolved into a considered renovation that reimagines an existing Barwon Heads home. The original house had endured several unsympathetic alterations over the years, leaving it disjointed and built to a poor standard.

Located on the outskirts of Mayiladuthurai in Tamil Nadu, , Paati Veedu by Koodu Architecture is a compact rural developed under financial constraint and material limitation. Built on a 1,200-sqft site within a neighborhood of small houses and agricultural fields, the project is defined by , adaptation, and resource-conscious construction. The house was constructed using 10,000 accumulated over time by the client, forming the primary material basis for the design.

A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in Kolkata rises and vanishes within five days. Yet each draws pilgrimage, shapes collective memory, and reorganizes urban life. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.

Designed by Habitat Architects, the Solan Hill House is a private residence embedded into a sloping site in Himachal Pradesh, conceived as an architecture that grows out of its terrain rather than resting on it. Completed as a response to complex gradients, access conditions, and visual exposure, the project uses the landscape itself as a generator of form, structure, and spatial sequence.

The primary volume is elevated above the site and supported by four inverted-cone white columns. These structural elements lift the building clear of the terrain, preserving visual and physical continuity at ground level and allowing grass, air, and movement to pass beneath the structure. The elevation creates a shaded patio below the main volume, extending the usable space of the villa while reinforcing its lightweight presence.

When a 7.7-magnitude earthquake hit Myanmar last year, roads buckled and thousands of buildings collapsed. But a group of small, ultra-low-cost homes made from bamboo survived without any damage. Finished just days before the quake, the houses are emergency shelters for some of the millions of people displaced by Myanmar's ongoing civil war. Myanmar-based architecture studio Blue Temple worked with its spinoff construction company Housing Now to make the simple prefab homes as low-cost as possible while still able to withstand natural disasters.