April O'Neil comes down out of City Hall as the ace reporter and then walks into the Hoyt-Schermerhorn station. That secret, that the Downtown Brooklyn station is subbing in for City Hall, is at the heart of an upcoming film series at BAM.
For Hollywood's biggest night, celebrities pay as much attention to their red-carpet attire as their speeches. It's a night to leave a mark not just on Hollywood but on best-dressed lists and even make fashion history.
Ilker Catak's Yellow Letters and Emin Alper's Salvation, two politically outspoken films that examine Turkish president Recep Tayyip Erdogan's autocratic regime, shared the top prizes at this year's Berlinale: the Golden Bear for Catak and Silver for Alper. These striking works share a lot more. Both titles are co-produced by Liman, an indie film company from Turkey.
Villa Lava is a private residence located in Santa Tecla, in the province of Acireale, on the eastern coast of Sicily. The project is a unique architectural blend of two houses in one single villa. On one side stands an old fisherman's house dating from around 1900, completely restored by Nábito Architects, maintaining its essential character and carefully uncovering and preserving the original lava stone vaults.
levelled much of the city. Along with homes, churches and monuments, invaluable historical sources and documents were lost, including works by Messina's greatest son, Antonello da Messina, the artist widely credited with transforming the course of Renaissance art. In the space of half a minute, a city's memory and that of one of the greatest painters in history was buried alongside its people.
an Act of Killing-style re-enactment of the 1919 conquest of the Adriatic city of what is now Rijeka by a rag-tag army assembled by the proto-fascist dandy-poet Gabriele D'Annunzio. It was precisely the kind of quirky cinematic gem that the European film awards should be there to champion: a film ignored by the main festivals, about an overlooked but relevant episode in history.
My value as a person is not reliant on me being nominated for anything or being snubbed. It's such a constructed reality. It's not a real competition. We made something months ago, and now we're putting it in a pot, and somebody's going to choose one.
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging. At such a critical moment in US history, we need reporters on the ground.