#susan-monarez

#susan-monarez

"I love the range in this booth, from large-scale ceramic totems to more intimate neon paintings. I'm always impressed by the artists Freeburg represents and the clarity of her program's mission."

Inframundo invites visitors to look inward and become a rock, drawing on the landscape shaped by cenotes, which are thought to be portals to the Maya underworld.

Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.

ArtsLink is envisioned as an essential community resource that aims to increase visibility, spur audience engagement, and strengthen the local arts and culture ecosystem.

Alysa Liu was able to win gold in figure skating at the 2026 Olympics thanks in part to skating to a song by Laufey. Now, she's joined a star-studded cast to act in the musician's latest video.

The initiative focuses on enhancing visitor experience, improving accessibility, and advancing energy resilience, while supporting the long-term stewardship of the institution.

"Once open, Lumana will support new generations of artists, designers, and the institutions that champion them. It felt fitting that the work of the great Modernist artists I deeply admire could continue to uplift those following in their footsteps."

In 2025, Dmae Lo Roberts embarked on a statewide storytelling experience focusing on personal stories from both artists and community members. These stories are a form of living oral history.

I see myself first and foremost as a weaver working at the intersection of craft and technology. As an Angeleno, I grew up learning how to weave in the Wixárika tradition of my matriarchal bloodline by watching my mother and my grandmother.

"Joe is so goddamn competent he has almost made me rethink my position on Stanford University. Almost. In Joe, you've got a man with the talent of three men able to do the work of six men. I'm thrilled to see him succeed, and we're all succeeding because of him."

Knowles's performances, such as Make a Salad and Identical Lunch, showcased her unique approach to art through food, engaging audiences in the experience of preparation and consumption.

"The camera was being pointed in the mirror so you got an angle, and I was naked, because I was part of what they were doing. So that's how I got to do the selfies with the mirror."

The curators of Greater New York really captured the energy of the city well - not the out-of-towner's New York with its glossy surfaces, brands, and trendy fare, but the gritty New York that's always in the process of formation, that rejects surface in favor of rawness.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

Casa Kahlo offers an unprecedented look into the famed Mexican painter's family home, Casa Roja, which stands just blocks away from Casa Azul in Mexico City. Kahlo would retreat to Casa Roja when Casa Azul got crazy.

Artnet was founded to bring transparency to the art world, and Artsy-to make discovering and buying art more accessible. Connecting the businesses opens up new possibilities, including modernizing and building upon the art world's most trusted pricing tools.

Chauvet developed 'Zapatos Rojos,' which takes the form of dozens or hundreds of pairs of red shoes publicly displayed in site-specific formations. Each pair of shoes connotes the absence of a femicide victim, or a disappeared woman or girl.

"After I first visited Mérida in 2013, I was amazed by the heritage, artists and its art school-now a university-yet I noticed a lack of local exhibiting programmes. Since then, I began dreaming of a biennial which would strengthen and draw visibility for contemporary art in the region."

Seeing the Alhambra in Granada was an extraordinary experience for me. It was the first time that I understood painting as something other than an object hanging on a wall. I thought that paintings could be in a fixed place, made for that place, made for the light of the place, experienced kinesthetically.

There's this push and pull between feeling unease and discomfort, the nature of the spaces, and why they feel uncomfortable. But there is also tenderness and warmth, people adapting to these spaces and finding ways to make them comfortable.

We were supposed to be Frieze's special guests. And we feel like we're being censored, racially profiled and discriminated against. Having worked with the fair for five years, she says she will not continue beyond this weekend.

Artist Ayelet Gal-On does not just paint; she builds, layering oil, acrylic and plaster on canvas. Gal-On's signature subjects for "Taken by the Wind, Swept by the Light," her upcoming solo exhibition at Gallery 9 in Los Altos, are white dresses that appear to hang on a line, defying the stillness of the canvas. "I love the process of playing with color," says the artist.