#speaker-design

#speaker-design

The Eski.Sub draws inspiration from the visual language of Brutalist architecture and the cultural atmosphere of UK grime music scene. The project examines the relationship between design, urban context, and emotional listening experiences, positioning the loudspeaker as both an audio device and a spatial object.

The power of sound is somewhat understated in our image-heavy culture, color and texture a huge part of how we understand design. Yet the tactile and audial are just as important, offering a depth of feeling - a responsiveness that is more than visual, it is somatic. A felt reverberation of sound, and the tactile qualities of it, are central to understanding Rhapsody, a new speaker from Canadian brand Sonoforma. Doubling as a guitar cabinet, founder Mike Nopper makes furniture for musicians, tuning in to the specific wants and needs of some of our most particular hobbyists and professionals. For audiophiles, speaker systems are a serious and complex issue. Rhapsody understands this importance: it's built to work like gear, and live like furniture.

The collection, which includes three round bluetooth speakers, two lamp speakers (called the Kuglass), and one new version of Ikea's beloved Fado lamp, was made in collaboration with the Swedish designer Tekla Evelina Severin (also known as Teklan). Severin, who is known for her work as a colorist, photographer, and designer, brings a keen eye for color and pattern to the designs, turning a product that might otherwise be an eyesore into one worthy of display.