#ska-st-petersburg

#ska-st-petersburg

Brighton was rarely described as a scene, despite being home to Nick Cave and Paul McCartney and hothousing a surge of remarkable young talent that's still thriving more than 20 years later.

Knumears is releasing their debut album Directions on April 3, showcasing their unique sound within the Los Angeles screamo scene. The album is available through Run for Cover and Summer Shade.

Before the availability of the tape recorder and during the 1950s, when vinyl was scarce, ingenious Russians began recording banned bootleg jazz, boogie woogie and rock 'n' roll on exposed X-ray film salvaged from hospital waste bins and archives.

Sessa's charming stage presence, irresistible Portuguese vocals, and the whole band's groovy sunshine energy made the entire room fall in love with the musicians from São Paulo.

You could go anywhere in America and argue with some success for the cultural impact wrought by most of the once-subcultural stars of Lizzy Goodman's oral history of New York's post-9/11 rock scene, 'Meet Me In The Bathroom.' Or, for God's sake, Jeff Chang's history of hip-hop, 'Can't Stop Won't Stop.' But to explain this era to someone who hasn't devoted their psyche or youth to 'indie rock,' you'd need to spend a whole dinner, and maybe a few drinks afterwards, justifying why the tentpole events that 'Us v. Them' returns to multiple times in its 300-page run mean anything.

Panopticon and Catharsis are doing a short co-headlining East Coast tour together this fall! The tour kicks off in Boston on October 8 before hitting Brooklyn's Market Hotel on October 9 and then shows in Philly and Baltimore. Tickets go on sale Friday (3/6).

Band of Skulls emerged from Southampton, England with a gritty, blues-soaked take on garage rock that felt both scrappy and deliberate. Their breakout album Baby Darling Doll Face Honey introduced a sound built on thick riffs, tight rhythm work, and a push-pull vocal dynamic that gave the songs real tension.

Michigan garage-punk lifers The Spits and Barcelona's Prison Affair headlined the night and had people crowd surfing. Before them was Columbus, OH greats Times New Viking, fresh off their first show in a decade, which happened in their home city last month. This was their first NYC show since 2012.

While Modern Baseball co-vocalist Jake Ewald and bassist Ian Farmer have remained very busy with Slaughter Beach, Dog since MoBo's breakup, and drummer Sean Huber stayed active with Steady Hands, it's been a while since co-vocalist Bren Lukens has performed or really done anything at all in the public eye.

Their gathering still had to be dispersed, but the enthusiasm that Ored Recordings inspires even among enforcers of the law speaks volumes about the power of what Khalilov and his friend and label co-founder Timur Kodzoko call punk ethnography: the recording of religious chants, laments and displacement songs at family gatherings, local festivals, in people's kitchens, to fight against the erasure of Circassian culture.

Dublin post-punks SPRINTS released their second album and first for Sub Pop, All That Is Over, in September, and they're midway through their North American tour supporting it, which hit NYC on Thursday night (2/5) for a show at Bowery Ballroom. Vocalist Karla Chubb told the crowd that it was the band's first tour since becoming full-time musicians, and she spent some time either in the middle of floor or crowdsurfing over it during the set,

When he's not making proggy folk as a solo artist, Richard Dawson gets his skronk on as part of proggy new-wave art-rock group Hen Ogledd. Despite my attempts to do so in the previous sentence, the band are hard to succinctly describe: they can pivot from warm synthpop to mossy faerie folk to baggy Manchester shuffle beats to dense prog and even flashes of hip hop. Hen Ogledd are weird, but also welcoming.

The night before Music's Biggest Night, Pitchfork continued its streak of ringing in the new year with fun, undeniably risk-averse things we've never done before. At El Cid, a historic open-air venue in LA, we threw our first-ever Best New Music party in collaboration with Hennessy. Co-hosted by PinkPantheress, FKA twigs, Kaytranada, Perfume Genius, and Pitchfork editor Mano Sundaresan, the party brimmed with talented artists shaping the future of music.

Turnstile were up for four Grammys this year and they won two of them: Best Rock Album for Never Enough and Best Metal Performance for "Birds." It was their first Grammy wins.

A band called Ad Nauseam is dead set on keeping grunge alive in Portland, but no local venue will return their calls to play a show. Like the most iconic grunge acts, Ad Nauseam has deep PNW roots. They deliver sludgy, whining guitar licks and haunting, sandpapery vocals. They've even got an angsty tune called "Scab Pimple" for goodness sake. So why can't they land a gig? Well, it might be because all four band members are between the ages of 10 and 16.