UX design
fromJonnyburch
9 hours agoI love AI, but it still can't design for shit
AI lacks a critical eye for its own output, leading to poor presentations and accountability issues for users.
Trust begins with realness. When lawyers share their story and the reason behind their work, clients see themselves reflected in that narrative. Clients are not simply hiring legal skill; they are looking for alignment, empathy, and shared values. Storytelling bridges that gap.
I'm heavily inspired by radical print design, particularly of the 70s after the birth of the Xerox, such as Shrew and OZ Magazine as well as protest banners and zines. I love the fast-paced, imperfect, tactile feeling and I try to emulate this through physically editing my work.
"Given the impetus of the plot involves James Bond - the world's most famous spy - undertones of the genre of intelligence and espionage are alluded to, in both the choice of a monospace typeface, ABC Rom Mono, and in the widely tracked, code-like setting of it."
The small, lightweight, inexpensive camcorder was a great liberator for filmmaking. Not only did it mark a significant leap in accessibility, it also made it easier for filmmakers to achieve the kind of raw, immediate visual language that had been established by directors like Spike Jonze in Video Days (1991).
In a world where audiences are flooded with content, cutting through the noise requires more than visibility. Organizations increasingly invest in storytelling and narrative strategists to shape everything from brand voice to internal alignment.
Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.
Through the tiny window of short clips on Instagram and TikTok, Mary's world seems enchanting and vast. Bree's work exudes melancholic emotion and ethereal femininity, painting the surfaces of Mary's world in the vibrating style of stop-motion animation, dappled with sparkling light and computer-generated surfaces so convincing it feels like you could pose the model with your own hands. O'Donnell sat down with us to talk a bit about her process creating textures and her life's work making magic real.
Drawing on childhood memories, folk art, and nature, the London-based illustrator and model maker creates expressive sculptures and puppets that inhabit dreamlike realms. Invoking historical costumes and cartoonish and emotive faces, Johnston's otherworldly cast seems both familiar and strange, as if children's book protagonists have sprung to life or converged with a strange dream.
Dad Gets Tattoo So His 6-Year-Old Daughter Wouldn't Feel Different 21 Watercolors That Show How The Sun And Shadows Change Cities The Designer Reveals His Suggestions for Redesigning Famous Brands Naive, Super: Lovely Paintings by Angela Smyth Creative Spontaneous Sketches of Faces and Figures by Pawe Ponichtera Logo Artists Reinterpreted 38 Of The Most Recognizable Logos With A Single Unbroken Line Artist Paints While Under The Influence Of 20 Different Drugs The Uncannily Realistic Landscapes Of Carolyn H. Edlund
Each layered element is independent, all housed within one object on your timeline. Multiple elements can be combined into a Flipbook by using the multi-select function. This allows for users to shift, organise, and retime frames.
In illustrator Chiara Xie 's work, everything is in motion. Rooted in a deep reverence for vitality, Chiara is fascinated by "the rhythm that flows through a scene", lingering like a suspended breath, and other times "surging as a vibrant, agile current of motion". It's not hard to know what she means: every illustration is filled with motion, arcs of light and air bouncing off every corner.