#shock-cinema

#shock-cinema

The zombie was actually a Haitian Vodou metaphor for slavery. For enslaved Africans in Caribbean colonies like Haiti, the theft of one's autonomy was akin to a walking death.

Forbidden Fruits is part of a burgeoning subgenre of horror movies that engage specifically with femininity and feminine aesthetics, dubbed 'girl horror' in a recent article in Rue Morgue magazine.

The illicit thrill of hidden desires definitely propels Night Stage, a riveting queer noir about an up-and-coming actor Matias and an aspiring politician Rafael who begin hooking up in public spaces.

Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging. At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

Daggers Inn is muddled, but landmark cinema in certain respects. Finally, the UK has a film to rival the 2003 US indie The Room, which still plays to packed houses, with audiences eternally thrilled by its hilarious creative choices and uneven performances. Daggers Inn is similarly ripe, not in the calculatedly trashy manner of a Sharknado film, but in the sense of amateurs' original, sincere but almost entirely unsuccessful efforts.

Dead Lover's heroine is odorous by trade, a lovelorn gravedigger of indeterminate age and origin. Glowicki's accent, roaming between Canada, Canvey Island and Canberra, becomes part of the fun—she's driven to extremes after her verse-spouting poet sweetheart perishes in a shipwreck. Part-Burke and Hare, part-Victor Frankenstein, she salvages what she can of the corpse.

The first thing you notice about undertone is how quiet it is; not just in its audio mix, but in how it's shot - primarily steady wide shots that slowly pan across empty rooms, allowing your eyes to frantically scan for something amiss. It's an understated form of filmmaking that allows for the movie's scares to hit all that much harder.

During a junket interview with OutNow, Gyllenhaal explained that the punctuation mark was included to represent the "whole lot of energy" that comes out when the historically muted Bride of Frankenstein is finally allowed to speak. That's all well and good, but to viewers the titular exclamation point is less of a metaphor and more of a golden arrow saying, "This movie is going to be crazy."

Until recently, "liminal spaces" were only known to architects. But on the Internet, storytellers and amateur filmmakers have morphed these ubiquitous places you pass by on errand runs into caverns of cosmic terror. Now, a new A24 film from 20-year-old filmmaker Kane Parsons is set to kick off the summer and christen it the season of liminal horror.

10 Cloverfield Lane Mary Elizabeth Winstead, John Goodman and John Gallagher Jr are locked in an underground bunker for the majority of this left-field sequel to Cloverfield, with thrilling results. In the film's final throes, Winstead's character exits the bunker, and finds that her captor was telling the truth about an alien invasion above - a twist that completely and ruinously dissipates the hard-earned tension that came before.

"I still can't take them,"

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days

Boris Karloff stands tall as one of film history's most iconic performers, particularly within the horror genre. Foremost known for portraying some of the most iconic monsters in film history, from his work as Frankenstein's Monster in Frankenstein, Imhotep in The Mummy, or voicing The Grinch himself, Karloff had a few distinctive attributes that made him one of the most memorable stars of the era.

I'm thrilled with any chance to collaborate with the Harvard Film Archive and to make use of Harvard's collection. I've taught several of Kubrick's films in different courses over the years, but never all of them together and never on the big screen. It is a unique opportunity. The HFA is one of Harvard's treasures. I'm really grateful to them for making this happen.

I'm talking about Iron Lung, a self-financed film by a beloved YouTuber named Mark Fischbach, who goes by the handle Markiplier, and who has more than 38 million followers to his name. The movie, an adaptation of an indie horror video game, had a budget of approximately $3 million-an amount that Iron Lung has already earned back seven times over, with a box office of $21.7 million worldwide.