#sean-linan

#sean-linan

Carl Cokine Anthony redefined the relationship between racial equity, regionalism, and the environment, establishing a foundation for future environmental justice initiatives.

Alysa Liu was able to win gold in figure skating at the 2026 Olympics thanks in part to skating to a song by Laufey. Now, she's joined a star-studded cast to act in the musician's latest video.

"It's bizarre to watch people in this way - even in gay cruising areas you wouldn't stare at other bodies this intensely. Now, whenever I go to a concert, especially at the Berliner Philharmonie with its encircling seating, my gaze hovers over the audience as well as the stage."

For the Shakers, Dancing is both a means of revelation and a way to do the work of God in the world, Kimerer LaMothe, a dancer and philosopher of religion, said in an interview. To dance is to build heaven on earth.

Censorship strips innocence from the young and kindness from the elderly. It discourages people from valuing justice, fostering selfishness instead.

Oshatz worked on a monumental scale to represent underwater scenes, creating a full stage silk backdrop. He also designed hand painted silk waves that dancers moved across the stage.

The Grand Palais in Paris unveiled an enormous exhibition focusing on the final 13 years of Henri Matisse's life and work, featuring abundant examples of his celebrated gouache cut-outs.

Kyoung Chun's creative practice moves between painting and site-specific installation. Interactive works extend the language of painting beyond the canvas, inviting viewers into environments that challenge perception and encourage connection.

Abstract Lounge brings a calm musical atmosphere into the Golden Gate Valley Branch Library's main reading area. Patrons are encouraged to read, work, browse the collection or become absorbed in contemplation while enjoying a mind-expanding flow of sound.

Seeing the Alhambra in Granada was an extraordinary experience for me. It was the first time that I understood painting as something other than an object hanging on a wall. I thought that paintings could be in a fixed place, made for that place, made for the light of the place, experienced kinesthetically.

"The first step towards a cure is admitting you have a problem," artist Josh Kline writes, highlighting the inequities in New York City's real estate market and its impact on art.

Both plays set out to examine the ugly ways that American capitalism has twisted itself up with the striving of characters of color - characters whose immediate roots stretch beyond the U.S. and whose ambitions within its borders have resulted in a malignant combination of rugged self-reliance and internalized self-hatred.

The Duchamp exhibition at MoMA is encyclopedic, thought-provoking, and sometimes surprising. It spans the entire sixth floor and invites viewers to engage deeply with his work.

The Harlem Globetrotters are celebrating a milestone anniversary in 2026. The legendary basketball squad, which was founded in 1926, has been delighting sports fans and families now for a full century. So, you're invited to help the Globetrotters celebrate the occasion when they bring their 100 Years Tour to Northern California. It's your chance to witness one of the most famous sports/entertainment franchises of all time while being amazed by plenty of crazy trick shots, incredible no-look passes and humorous hi-jinks.

The next PST Art will highlight exchange around the Pacific across several centuries, from the arrival of Chinese porcelain in the Spanish missions to the influence of Japanese visual culture on the city's architecture and design, to the ongoing impact of contemporary Korean pop culture.

Anthony McCall's 'solid light' installations invite viewers to step away from the screen and into the sculptural beams of projected light themselves. As theatrical haze catches the projector's light, evolving geometric forms materialize in three-dimensional space, creating elegant structures that viewers can walk through, touch, and interact with.

Artist Ayelet Gal-On does not just paint; she builds, layering oil, acrylic and plaster on canvas. Gal-On's signature subjects for "Taken by the Wind, Swept by the Light," her upcoming solo exhibition at Gallery 9 in Los Altos, are white dresses that appear to hang on a line, defying the stillness of the canvas. "I love the process of playing with color," says the artist.

These paintings reveal the layers of history that undergird modern Los Angeles. Yaanga Lies Under the 101 imagines the city's earliest Tongva inhabitants as they made their home on the land that, in the modern day, runs beneath the Hollywood Freeway. Campos's process mimics this archaeological layering: each canvas begins with a screenprinted underlayer that is then painted over in acrylic, and then once again layered with screenprinted details.