Matthew Macfadyen started his career in a 1998 TV film adaptation of Wuthering Heights as Hareton Earnshaw, Heathcliff's whipped dog, and has been giving us brilliant incarnations of beta cucks ever since.
"A lot of people who know me, or think they know me, and have seen me play these big hero macho roles-gun toting, tank driving, dragon killing characters-are now going to see me in a very, very different role that no one will expect."
I wanted to mention Kenneth Williams because he was so profound, Allen tells me. And yet, because he was also funny, that profundity hasn't been acknowledged. As a child, I connected with his outsiderness. Rather than trying to fit in, he went in the opposite direction. Not only did he not apologise for being different, but he was queer in every sense, truly at odds with the world in which he found himself.
In an interview last week with the American LGBTQ+ publication Them, when asked about her penchant for taking roles in films featuring LGBTQ+ characters (say, The Favourite or Heartstopper), the actor said that she feels that she has a foot in various camps. Throughout my whole life, I've had arguments with people where I've always felt sort of nonbinary I've never felt massively feminine in my being female.
According to my mum, my first word was look. My brother arrived 17 months after I was born, so most days Mum would have been pushing us around in a buggy, and I would be pointing at everything going, Look, look, look. What I was really saying was, Everyone, I'm here!
It's now been a week since I hosted the BAFTAs. What should have been an evening celebrating creativity as well as diversity and inclusion turned into a trauma triggering sh*tshow. I'm so sorry for all the pain Black people have felt at hearing that word echoed round the world.
The esteemed film-maker was licking his wounds: his most recent picture, Far from the Madding Crowd, which imbued its 19th-century rural characters with an anachronistic King's Road style and panache, had flopped stateside. Childers approached the date with mixed feelings. He adored Schlesinger's previous movie, the jazzy Darling, starring Julie Christie as a model on the make, and had seen it three times.
"Jimpa," a semi-autobiographical drama from director Sophie Hyde ("Good Luck to You, Leo Grande"), stars Academy Award winner Olivia Colman and Emmy winner John Lithgow in a story spanning three generations of the queer community. The film follows filmmaker Hannah (Colman) as she takes her trans non-binary teen, Frances, to Amsterdam to visit her gay father, Jim (Lithgow). When Frances decides to stay there for a year, Hannah is forced to confront her past and her parenting choices. "I think it's a sign of the times," John Lithgow told On The Red Carpet at the 2025 Sundance Film Festival. "This is not just a great film; it really is an important film for this moment."
