#riccardo-merlini

#riccardo-merlini

The central nave of Sant'Agostino becomes the spine of the exhibition, as the designer divides the space using white, geometric volumes through freestanding architectural forms that visitors can move through.

The project reconsiders the building as a layered architectural structure shaped by successive transformations, reorganizing these historical strata through a spatial strategy that prioritizes clarity, continuity, and flexibility.

Noemi developed her approach through ongoing dialogue with the artist and her team, as the work itself continued to shift throughout production.

The project examines the integration of digital fabrication processes into reinforced concrete construction, highlighting that while materials such as steel and timber have undergone significant transformation through digital production methods, reinforced concrete has largely retained conventional casting techniques. The proposal aims to address this condition by incorporating digitally fabricated components into the construction system.

At the end of the day [it's] similar to the Rorschach inkblot test. You see what you want to see. You might think it's speaking to you, but it's just your imagination.

Her installations and individual sculptures combine a wealth of things and techniques, often all at once, from found objects to time-honoured sculptural materials like bronze and marble; and from carving to casting and crocheting. Colour plays a vital role in her work, in the varied hues of textiles or plaster.

There's this push and pull between feeling unease and discomfort, the nature of the spaces, and why they feel uncomfortable. But there is also tenderness and warmth, people adapting to these spaces and finding ways to make them comfortable.

"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.

The veil covering Christ is extraordinary. It's impossible to understand how Sanmartino managed to create it. The veil defies explanation—for those who can see and for those who cannot. When you touch it, you can feel the veins pulsing beneath.

Pallabazzer recommends seeing the historic center of Florence at different times of the day. In the early morning, you'll get to experience it "without noise and the pressing pace of crowds." Midday brings droves of visitors, but the destination is "bathed in sunshine." In the evening, "the lights of the street lamps stretch out over the Lungarni [the streets along the Arno River], creating a truly magical effect."

The Neptune of Lyon, one of the largest and most important bronze statues from Roman Gaul, has arrived in Rome for a one-time guest starring appearance at the Giovanni Barracco Museum of Ancient Sculpture. The statue is in the permanent collection of the Lugdunum Musee et Theatres Romains in Lyon, and is being loaned to the sculpture museum as part of an extraordinary exchange of ancient works between the two cities.

Set on the edge of the Mediterranean and shaped by centuries of continuous occupation, Naples is a city where architecture is inseparable from time. Layers of Greek foundations, Roman infrastructures, medieval churches, Baroque palaces, and Modern interventions coexist within a dense and compact urban fabric. Naples reveals itself as an accumulation of structures, adaptations, and reuse, where buildings are rarely isolated objects and more often part of a larger spatial, social, and historical system.

The design has been revealed and it is a sun-like structure that is inspired by Leonardo's intricate knot patterns. Leonardo spent almost 25 years of his life in Milan and many of his most famous works are from his time in the city. The cauldrons have been designed to open and close with a diameter that expands from 3.1 meters to 4.5 meters and will contain the Olympic flame at their core, encased in a glass and metal container.

Kameh was naturally drawn to design, but it wasn't until they were setting up a new apartment that they knew this interest was a true calling. "Very quickly I realized I wanted to create pieces that told a story, rather than simply serve as functional furniture," the artist says. "I wanted each object to carry a soul, to hold a memory - something that could live and breathe in the space with me."

This year's theme, 'New Directions,' ties the fair to the legacy of John Coltrane and Miles Davis, treating jazz as a working method rather than a metaphor. It's a balance of structure and freedom, shaped by listening to galleries, to collectors, and to the wider moment we're living through. The move to the South Wing at Allianz MiCo reinforces this approach with a more compact, layered layout that sparks encounters across works, media, and generations,

The Rhinoceros in the Room, an inflatable installation by Itamar Gov, occupies the central volume of Kunstmuseum Magdeburg in Magdeburg, Germany with a single, overwhelming gesture. Installed inside the former monastery church that houses the museum, the project places a larger than life rhinoceros directly in the nave, its bulk stretching from aisle to aisle and rising toward the Romanesque vaults, so that the animal becomes the primary spatial condition of the building rather than an object within it.

levelled much of the city. Along with homes, churches and monuments, invaluable historical sources and documents were lost, including works by Messina's greatest son, Antonello da Messina, the artist widely credited with transforming the course of Renaissance art. In the space of half a minute, a city's memory and that of one of the greatest painters in history was buried alongside its people.

One of the aspects that most fascinated me was realizing how nature already provides ready and extremely evocative forms. A branch, a trunk, or a tangle of shrubs can spontaneously suggest figures, presences, animals, or movements.