#revival-screenings

#revival-screenings

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

In the new film, he plays a hit man named Mike who is attempting to leave the business when he's framed for murder. He's sleeping with loan shark Nick's wife Alice, so Nick tricks him into pulling off one last job.

Sam Green's documentary follows his relentless pursuit of the world's oldest person, a journey that reveals deep insights into the nature of time and memory over a decade.

Soderbergh has become such a prolific, tirelessly resourceful, and altogether uncategorizable filmmaker that you have to wonder why the mechanics of the break-in still inspire him.

'It's the Easter Beagle, Charlie Brown!' is a great family movie that includes funny callbacks between Linus and Sally about the Great Pumpkin.

Arrival is a moody sci-fi drama about a linguistics professor, played by Amy Adams, who is tasked with finding a way to communicate with aliens that arrive on Earth.

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

Los Angeles is home to more than a dozen one-of-a-kind cinemas that operate on their own terms. Some of these theaters have been around for 100 years, and in classic LA fashion some of them are owned by living LA legends-think Quentin Tarantino and Kyle Ng. Kristen Stewart recently announced she's also jumping into the mix with her purchase of Los Angeles's Highland Theatre.

'Forbidden Fruits' has been widely hailed as a 'cult classic' by critics and fans, but labeling it as such too soon risks undermining the process that establishes a film's cultural significance over time.

Corey Feldman stated, 'Personally, it felt a little bit like a family reunion I wasn't invited to. It is what it is. I just want to say that I'm with the rest of us, we're all very destroyed that things went down the way they did.'

Each year, most films leave the festival without a distributor in place, and we've only seen a handful of sales so far despite Netflix, Neon, Searchlight, Focus, A24, and more all on the ground. Plus, newcomer distribution groups like Row K and Warners' independent label also landed in Utah to make an impression. Alas, many movies still need a home, and below, IndieWire rounds up the ones we think distributors will click with - some more intrepid than others, but all worthy of a hopefully big-screen landing place.