#portland-fashion

#portland-fashion

Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.

This year's Coachella features headliners like Sabrina Carpenter, Justin Bieber, and Karol G, alongside LGBTQ-inclusive acts such as CMAT, The xx, and Ethel Cain.

Redfin argues that the current NWMLS rules limit how sellers can test pricing and demand before going fully live on the MLS, which many sellers find restrictive.

Washi, because of its quality and texture, offers something not just tactile but psychologically soothing. It's about one-third the weight of cotton, light, breathable and dry to the touch.

Erik rides more than you. He has been pedaling the country and living off of his bike for the last three years, learning to take life as it comes.

Ian Berry's Secret Garden, constructed entirely from recycled denim, showcases the innovative use of materials in textile art, emphasizing sustainability and creativity.

In 1904, Portland was abuzz with anticipation for the Lewis and Clark Centennial Exposition, leading to a surge in vendor interest and ambitious proposals for the event, including a toboggan slide and an observation tower.

ArtsLink is envisioned as an essential community resource that aims to increase visibility, spur audience engagement, and strengthen the local arts and culture ecosystem.

Emily Porter found a woven sweater labeled 'Maria Rodriguez Chicago' at a resale shop, highlighting the significance of local designers in Chicago's fashion history.

In 2025, Dmae Lo Roberts embarked on a statewide storytelling experience focusing on personal stories from both artists and community members. These stories are a form of living oral history.

More and more, I am realizing that we need art to survive. The phrase worked in two ways: We need art to survive for our personal enrichment and enjoyment. We need art to survive for its own longevity, so it can be around for us and those who come after us.

Rowe and Garen Scribner's libretto takes its liberties, setting the action in a world where everything is green and an evil princess has ruled that nothing be eaten but peas.

In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.