Mobile UX
fromThe Verge
16 hours agoI wish this selfie phone case was better for selfies
The Selfix phone case for iPhone 17 Pro aims to enhance rear-camera selfies but has practical shortcomings.
Running a photography business can be incredible fun, offering unique experiences and opportunities to meet diverse people. However, it requires significant dedication and effort, often demanding extra hours beyond a typical workweek.
If it's speed you want for sports or action shots of your kids, models like Canon's R50 can shoot bursts as fast as many high-end cameras. Creators, meanwhile, can choose Sony's ZV-E10 for vlogging jobs. There are also great, and cheap, models in the action and gimbal camera categories.
The new camera features, on the other hand, are neither of those things. They're something worse. Something scarier. On this episode of The Vergecast, Nilay and David discuss the new phones, then dive into the ways in which the S26's AI camera features seem to be clearly designed to change the whole idea of what happens when you try to take a picture.
Introduced yesterday, Photoshoot uses Google's powerful generative AI tools, including Nano Banana, to create "professional" images of a product. Users simply click on 'Create a Product Photoshoot' and upload a photo of their product. It can be any photo, no matter how bad. "Don't worry about polish - we'll take care of it," Google says facetiously. From that user-generated image, Photoshoot will create various shot templates, including 'Studio', 'Floating', 'Ingredient', and 'In use'.
Being an entry-level electric car, the EV2 will apparently retail somewhere around $32,000, but don't be fooled by the price or small size (it's barely more than 13 feet long)-the top-spec version will have a 61-kWh battery that should be good for just shy of 280 miles. Meanwhile, the 400-volt e‑GMP platform lets you recharge in 30 minutes from 10 to 80 percent.
Younger folks are snapping up old point-and-shoots because they view the aesthetic as more authentic and more appealing than smartphone images. Companies are even rereleasing old tech at new prices. And there are cameras like the original Camp Snap: a $70 single-button point-and-shoot with no screen, designed as a modern take on a disposable film camera. It's cheap enough to send off with a kid to summer camp and accessible enough for just about anyone to enjoy its lo-fi aesthetic.
Previous leaks have hinted at a dual-lens design with a secondary zoom camera, akin to a recent Insta360 leak and more crucially, the dual camera systems on some of DJI's drones. However, this latest leaked short hands-on video shows a very familiar design with a single lens, but still some notable changes here and there. That dual-lens design might still become a reality as a Pocket 4 Pro.
In recent years, smartphone photography has become increasingly dominated by software. Computational imaging, AI processing, and post-capture optimisation now play a central role in how images are produced. Yet as these techniques become more widespread, camera hardware is once again emerging as a key differentiator. The REDMI Note 15 Pro 5G Series reflects this shift clearly, placing renewed emphasis on sensor capability and optical fundamentals rather than relying solely on software to define image quality.
Canon released its first PowerShot camera back in 1996 with a 0.5-megapixel sensor, helping kickstart the digital photo revolution. To celebrate that 30-year anniversary, the company has unveiled a Limited Edition version of its still-popular PowerShot G7 X III compact camera. It has a few unique touches but is otherwise the same as the original model released nearly seven years ago.
Samsung's Galaxy S20 Ultra wasn't the first phone to feature a periscopic telephoto lens - both Huawei and Oppo beat the Korean company to it - but it was the first in the US to make such a big deal about it. Almost all of Samsung's marketing for the S20 Ultra centered on its so-called Space Zoom, its 5x optical folded periscope lens, capable of digitally zooming much further.
Forget the film camera revival that never quite materialized at scale. The defining hardware trend of 2026 will be the continued adoption of C2PA (Content Credentials) signing in camera bodies beyond the flagship tier. Leica and Nikon have been early movers here, with Sony engaged in the broader Content Credentials ecosystem. This year, we are likely to see signing capabilities expand from flagship and select professional models into higher-volume lines as implementation costs fall and workflow integration matures.
For millions of people, the ability to share a fresh photo wirelessly - Facebook, Twitter, e-mail, text message - is so tempting, they're willing to sacrifice a lot of real-camera goodness. That's an awfully big convenience/photo-quality swap. A real camera teems with compelling features that most phones lack: optical zoom, big sensor, image stabilization, removable memory cards, removable batteries and decent ergonomics. (A four-inch, featureless glass slab is not exactly optimally shaped for a hand-held photographic instrument.)
Perhaps the most anticipated new camera of 2025, Sony's new A7V mirrorless camera just squeaked onto the scene before the end of the year. The A7 series is Sony's all-around camera. It lacks the resolution of the A7R cameras and the video focus of the A7S cameras, but in some ways offering enough of the best of those to make the plain A7 the best choice for most people.
Engadget has been testing and reviewing consumer tech since 2004. Our stories may include affiliate links; if you buy something through a link, we may earn a commission. Read more about how we evaluate products. Catch up on the recent reviews published by Engadget. Our reviews team is rested up after the CES grind and we're back to business. This week we reviewed the latest devices from Valerion,
Confession time: I'm not much of a moviemaker. I try. I strap action cameras to my bike handlebars all the time. And I have hours of GoPro footage I shot living in a vintage RV for years. All these clips sit, unused, collecting dust on external hard drives. I just haven't figured out how to tell stories with video, so the footage sits, waiting for me to learn.