#period-costumes

#period-costumes

Liberty's Oriental Carpet Department has long been a secret wonder, an Aladdin's cave of over 4,000 handwoven pieces, showcasing the artistry of traditional weaving techniques.

The new webpage, entitled 'How have objects come to be in the V&A?', points out that for some objects, their journeys have involved known histories of violence, coercion or injustice, while for others there remains uncertainty over exactly how they came to be here.

"It took my breath away, because it was something that I really never expected to happen," Felix said when asked about the shoe restoration.

Craft is often defined as skill in making things by hand, but this interpretation is being challenged by AI. Craft transcends physical interaction; historical figures like Mozart and Beethoven exemplify mastery without traditional methods.

We are delighted to unite these incredible archaeological finds from across the North for our latest exhibition. From Roman silver discovered along Hadrian's Wall to 9th-century gold found by a Newcastle University student, this is a rare opportunity to see these scattered treasures displayed alongside one another.

In 1971, Manolo Blahnik created shoes for the designer Ossie Clark's catwalk show in London. Relatively new to shoemaking, the Spanish designer forgot to put steel pins in the heels of the shoes, which meant that models wobbled, unbalanced, down the catwalk.

The question of how fashion is archived - what enters the museum; what is deemed worthy of preservation; whose clothes are considered culturally significant enough to outlast the bodies that wore them - has long sat uneasily at the centre of fashion history itself. Institutions have tended to answer it, or ignore it, in much the same way: couture gowns under glass, luxury garments mounted on conservation-grade mannequins in blockbuster exhibitions - an implicit hierarchy of the designed over the worn, the authored over the anonymous.

The Household and Wardrobe Accounts are English records that document the daily needs of the king and his family. This book serves as a guide to these sources, showing how they can be used and what valuable insights they offer into medieval government.

ABODI Transylvania is a wearable art fashion house and living mythology created by Transylvanian-born designer Dora Abodi, rooted in Eastern European and Balkan folklore, gothic horror, and her own Szekler noble heritage. The brand's universe mixes couture, illustration, ceramics and sculpture into narrative garments populated by recurring mythical beings like the Unisus (four-headed dragon), Cat Mermaid, Animal Soul, eternal night Vampyr, Moon and Sun King, and time travellers.

But this week I spotted an ingenious use for the extras, courtesy of NY-based company Proche Studio. Here's their proposal: Mail in a wool blanket, and they'll give it new life in the form of a great-looking-and uber snug-chore coat, vest, or scarf. I'm particularly smitten by the chore coat, a fresh version of the quilt coats that became popular a couple of years ago, and much, much warmer.

Designed in close dialogue with the Prado's conservators, the coats meet strict functional requirements essential to restoration work. They are constructed from high-quality, non-reflective materials that prevent any glare from interfering with the surface of a painting-an essential consideration when working millimeters away from a Velázquez or a Bosch.

If you follow the advice of Caterina Sforza, 'you will see that thing become so narrow that you yourself will be in admiration.' That striking promise appears in the Experimenta, a collection of recipes attributed to the Renaissance noblewoman Caterina Sforza. Best known as the formidable ruler of Imola and Forli and a fierce opponent of the Borgia family, Sforza also cultivated a keen interest in medicine, alchemy, and cosmetics.

Fashion and dress in Mesopotamia - clothing, footwear, and accessories - were not only functional but defined one's social status and developed from a simple loincloth in the Ubaid period (circa 6500-4000 BCE) to brightly colored robes and dresses by the time of the Sassanian Empire (224-651). Styles changed, but the essential form and function remained the same. As in any civilization, the upper class and nobility wore more expensive clothes of higher quality.

The British Museum has successfully raised the £3.5m it required to acquire the Tudor Heart, an intricately decorated golden pendant with links to Henry VIII and his first wife, Katherine of Aragon. The purchase has been made possible after a four-month fundraising campaign, and thanks to donations including £1.75m from the National Heritage Memorial Fund as well as contributions from more than 45,000 members of the public.

A magnificent leather and golden silk slipper believed to have once been worn, then lost, or given away by King James II, is going on display at Killerton, a mansion in Devon which houses the National Trust's costume collection. He is said to have worn the slippers when visiting Coventry in in 1687, where a grand banquet was held in his honour, and may have given them to one of his hosts.

That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.

I first visited The Fall Bride for my best friend's first wedding dress appointment, and immediately fell in love with the space. Squirrelled away in the Dalston backstreets, this bright, soothing store is the ultimate go-to for brides looking for elegant, hand-picked dresses from a series of world-renowned designers. So, as soon as I got engaged, I booked an appointment for myself - and it didn't disappoint the second time round.

So, on Sunday 25th January, members of the reenactment society will converge on The Mall from all across the country, some arriving already dressed in buff coats and broad-brimmed hats, others changing into period clothing on arrival. There are pikes to be shouldered, muskets checked, and a few tentative practice swings as old drill is recalled, before the ranks are set and order restored.

Embroidery is a historic mainstay of traditional clothing in Asia or the Middle East, as well as Western Haute Couture, but it is increasingly present in Paris, Milan or New York on modern men's shirts, bomber jackets or blazers. Designers at Dior, Dolce Gabbana, Kenzo or Gucci have adopted it in recent runway shows, while Louis Vuitton's celebrity rapper-designer Pharell Williams dedicated his entire June collection to India after visiting the country.

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

Studying abroad in Florence was one of the best decisions of my life for a multitude of reasons-I lived like a true local, ate some of the best meals I've ever had, deepened my appreciation for art and history, learned Italian, and was able to travel to five countries and two continents in just three and a half months. But most importantly, it immersed me in a culture where personal style is second nature, quickly teaching me how to dress in a sophisticated, timeless,